Editing Digital Video : The Complete Creative and Technical Guide
| Author | : | |
| Rating | : | 4.41 (980 Votes) |
| Asin | : | 0071406352 |
| Format Type | : | paperback |
| Number of Pages | : | 361 Pages |
| Publish Date | : | 2017-01-09 |
| Language | : | English |
DESCRIPTION:
A great start Eamon Rooney Editing digital video gave me a good insight into the baiscs of digital editing. The last time I edited video it was on a linear system and I found some other texts a little confusing. This book enabled me to use my NLE system with confidence.. The book is good for it's intended purpose The book is good for it's intended purpose, however no download link was supplied with kindle version to get the working material referred to in the book !. "Mostly junk" according to Telstar. This book is 1/Mostly junk This book is 1/3 listings of movies and other such irrelevant nonsense.The editing information may have been relevant several years ago, but is now completely and totally dated.Certainly readable, but completely vapid.. listings of movies and other such irrelevant nonsense.The editing information may have been relevant several years ago, but is now completely and totally dated.Certainly readable, but completely vapid.
Goodman has presented workshops at the major film festivals in Los Angeles, New York, San Francisco, Atlanta, and for AIVF, IFP, SMPTE, Women in Film, and the Sony Corporation. He's been profiled on Bravo's Split Screen and is the co-producer of Stone Reader, which won the top two awards - the Audience Award for Best Feature Film and a Grand Jury Special Honor - at the 2002 Slamdance Film Festival. Patrick J. He has been a professional video editor since 1974. Goodman is an Emmy-nomi
Demystifies video editing for narrative, documentary, and music (with CD-ROM)
It will now have a prominent, handy place on my bookshelf -- a treatment that most professional editing books do not get. This is followed by another lesson in visual grammar (compositional issues, types of shots, point of view, etc.) and goes intoaspect ratios and the creation of subclips. Small things I was troubled about was that they left out a reference to SDTI connections while they included SDI and HD-SDI in their discussion on connectivity standards. For example: The Birds, edited by George Tomasino. (There is no mention of Bob Turner's THE CUT, so it is obviously an incomplete reference!) It ends with an extensiv